A tragic violin phrase acts as Draven's leitmotif, signalling his arrival at key moments. Reflecting his pain, passion and past life as a musician it oscillates subtly between grunge guitar hooks and angelic female choral singing with string accompaniment. The soundtrack takes its lead from Draven, who is a rock guitarist. Back from the dead with an unbearably heavy chip on his shoulder he sets about systematically hunting down the gang responsible. The Crow is the vengeful story of a metropolitan misfit, Eric Draven, who is resurrected a year after the brutal slaying of himself and his partner. Most of the action takes place in the couple's sophisticated New York home. Tony Scott, 1983) uses sinister sex appeal to create a modern reinterpretation of the vampire movie. While "Bride" uses claustrophobically introverted comedy to post-modern effect, The Hunger (dir. The characters set off on their ill-fated road trip from a small town trailer park, a similarly socially deprived setting to the urban decay of The Crow. Ronny Yu, 1998) drags the Child's Play horror franchise (Trilogy 1988, 1990, 1991) kicking and screaming into the 20th century. The film's anti-hero lives and dies at the decaying heart of a dystopian city, otherwise populated by greasy gangsters and a fractured police force. Alex Proyas, 1994) is a cult comic book adaptation having attained this status largely due to the on set death of its lead actor. These three films are gothic action, horror comedy and vampire movies respectively. Broadly speaking, these soundtracks can be defined by the dark moods they convey and a poorly concealed obsession with what lurks in the shadows. The soundtracks I'm presenting, though similar in many aspects are comprised of classical score, alternative rock, metal, choral and electronic music. This fact of human existence comes across in everything we produce, including film and music this article investigates the blending of cinema and soundtrack through films, which explore popular curiosities, namely vampires, resurrection and vengeance beyond the grave. Mysteries to people are like shiny things to a crow. Humans have always had a curiosity for occurrences we can't rationalise from the meaning of life to the supernatural, if we can't compare, categorise, experiment and come to a satisfactory conclusion about it we're fascinated.
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